In due course, armed with the sensitivities that make a good Mistress of Spice She learns to love them and be loved by them in return. Now start her unusual tutorials where she learns the enchanted language of the spices- spices ranging from the very Western vanilla beans to the utterly Indian turmeric or halud. As she meets First Mother and her team of little girls- Mistresses of Spice in the making, Nayan Tara discovers her calling. Nayan Tara, a little girl, born to her parents as the second daughter discovers her hidden psychic powers as she grows up in India, little aware that one day she shall be the Mistress of Spices. There are no heroes or villains, just human beings, like ordinary man, each with their own shades, each being what they are, because of the circumstances in their life. Neither are the males insensitive egotists. The women in the story are not victims of circumstances or of their gender. It is not a feminist story, in the usual sense. Divakaruni employs a variation of the magical realism technique to reinvent an equitable, multicultural, multiracial America. In Mistress of Spices Tilo’s life begins in a small village in India and after becoming a mistress of spices she leaves for America to serve people. Women’s writing as a discrete area of literary studies is based on the notion that the experience of women, historically, has been shaped by their gender, and so women writers by definition are a group worthy of separate study.
Women have developed themselves according to the situations and have become advanced in various fields. With the rise of feminism across the world, a new generation of Indian feminists has emerged. Assistant Professor in English Holy Cross College,Tiruchirappalliįeminism involves various movements, theories and philosophies which are concerned with the issue of gender difference, that advocate equality for women, and that campaign for women’s rights and interests.
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